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La Venezia Perfetta: The
Geometry of the City |
Michele Emmer
All
of us feel we have an exclusive and privileged relationship with
Venice. We all feel that a particular bridge, a certain street,
a hidden corner of the city is only for us, that we have discovered
it, that no one else knows about it. Each of us has a special
memory of the city on the water. From 1976 to 1990 I made 18
films in a series on Art and Mathematics. Several of them were
made in Venice, at least in part. Being films, they had a strong
visual element and there I had to ask myself the basic question:
are there objects, places or works of art in Venice that are
of mathematical and of architectural interest? The answer of
course is yes, at two different levels. As the city-theater par
excellence, one has only to move around to discover that
the architectural structures--palaces, streets and squares--have
geometrical and mathematical shapes of some importance.
There are specific elements in
Venice that are of special interest to the history of mathematics:
polyhedra, symmetry, spirals and labyrinths. Add to this the
fact that some of these works of scientific interest were carried
out by great artists of the Renaissance and one realizes that
it is not altogether far-fetched to think of Venice when dealing
with the mathematics of art and architecture.
The correct citation for
this paper is: Michele
Emmer, "La
Venezia Perfetta: the Geometry of the City",
pp. 39-50 in Nexus II: Architecture and Mathematics, ed.
Kim Williams, Fucecchio (Florence): Edizioni dell'Erba, 1998.
http://www.nexusjournal.com/conferences/N1998-Emmer.html |
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