Graham Pont and Peter Proudfoot
(Sydney, Australia)41 Forbes Street
Newtown, NSW 2042 AUSTRALIA

Pythagorean design in Australia began not with the short-lived Pythagorean Society at Sydney (1913) but with the international competition for the plan of Canberra (1912). The winning entry by Chicago architects Walter Burley and Marion Mahony Griffin was a visionary scheme for a cosmic city formed on a St Andrew's cross suggested by the natural topography. At the crossing of the principal 'Land' and 'Water' axes they described a circle of a mile radius, thus forming the fundamental mandala of the new Federal Capital. The resulting symbol of circle and cross resembles the ancient Egyptian hieroglyph for a city or town.

The formative circle crosses the Land Axis at the two main ceremonial centres of Canberra, the parliamentary complex on Capital Hill and the people's Casino (now the site of the Australian War Memorial). Additional circles of the same radius, centred on these two sites, complete the major 'Pythagorean Triad' which links these ceremonial centres with a classical and very appropriate symbolism. A similar Triad connects the proposed three centres of government on Capital Hill. Thus, ninety years after reaching Australia, the secret plan of Canberra, with its Pythagorean geometry and esoteric symbolism, is finally revealed.

N2002-Pont-ProudCapitol Theatre, Melbourne, view of auditorium with the "crystal tetraktys" above the proscenium. Harold Paynting Collection, State Library of Victoria

The mandala of circle and cross determines much else of inner Canberra as well as the geometry of several other Griffin plans, including their most important Australian buildings, Newman College and the Capitol Theatre in Melbourne. The latter, Australia's first skyscraper, houses an extraordinary cinema auditorium dominated by ziggurat forms, a 'Crystal Tetraktys' and other Pythagorean symbols which relate the Melbourne Capitol to the unbuilt Capitol of Canberra. This central parliamentary monument was to have been a grand temple-theatre ziggurat, representing a democratic vision of Greek ideals. The Melbourne Capitol reworked this vision in microcosm - in another theatre-temple with ziggurat forms and the mathematics of the Tetraktys reflected in the harmonic proportions of the building and with other Pythagorean decorative motifs.

Thus the crystalline forms and Pythagorean geometry of the Melbourne Capitol echo the original design and esoteric symbolism of Canberra, so beautifully envisioned in Marion Griffin's 'City and Environs' painting.

This email address is being protected from spambots. You need JavaScript enabled to view it. a specialist in interdisciplinary studies, taught in the General Education programme at the University of New South Wales for thirty years. Here he introduced the world's first undergraduate courses in Gastronomy (1978-88). He was a founding convener of the Symposium of Australian Gastronomy (1984) and co-editor of Landmarks of Australian Gastronomy (1988). His last appointment was a visiting professorship in the School of Science and Technology Studies, UNSW (1996-99). Trained in philosophy, his principal research area has been history and philosophy of music but his interests have also extended to environmental studies, landscape, history of gardening, philosophy of technology, bio-acoustics and wine history. He recently published the results of the first major computer analysis of Handel's music and he is completing a biography of Australia's first composer and musicologist, Isaac Nathan (1792-1864). A long study of Pythagorean ideas has proved unexpectedly relevant to his latest enthusiasm: the design philosophy of Walter Burley and Marion Mahony Griffin.

A Rome Scholar in architecture, This email address is being protected from spambots. You need JavaScript enabled to view it. is Visiting Professor in the Faculty of the Built Environment, University of New South Wales, Australia. In articles and books he has written on the origin and history of Australian cities, the effect of seaport development on city growth and urban construction, the theory and practice of the Picturesque movement, ancient geomantic paradigms and their influence on modern urban planning, and architectural education theory. He was a consultant to the National Estate Division of the Australian Government on the conservation of historic structures, a consultant to the Commission of Inquiry into the Maritime Industry and the Australian Development Corporation.

The correct citation for this article is:
Graham Pont and Peter Proudfoot, "From Cosmic City to Esoteric Cinema", pp. 195-206 in Nexus IV: Architecture and Mathematics, eds. Kim Williams and Jose Francisco Rodrigues, Fucecchio (Florence): Kim Williams Books, 2002.